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..It was in relative isolation that Fricke stumbled across the sound that would characterize Popol Vuh and prove such a crucial influence to the wider music world in the years that followed – and early on Fricke had the ideal tool in his cumbersome, extraordinarily large four-module Moog synthesizer. Also& .. It is a sloppy editing job, as the most beautiful of the pieces is missing its first few sporadic, slow-paced introductory notes and often the music fades away with conversation from the film. Later, both of us worked on the team for Werner Herzog`s first movie Lebenszeichen in Greece, (with) Florian as sound-assistant, and me as still photographer..herz Tradition has it that most of the actors were hypnotized during the shooting of “Herz aus Glas” popol vuh movie notes .When I first heard about SPV`s planned release of a five CD collection of Popol Vuh`s early soundtracks for Werner Herzog`s films, I was excited that this might finally feature some of the unreleased work I had heard in some of Herzog`s films but never seen released on record. From the first single notes of “Engel der& . Fricke was an old friend of Herzog`s thanks to his days working as a film and music critic, and this closeness is possibly why the two had such a fruitful relationship. Florian`s collaboration that there is not really much to add..Popol Vuh- interview with Florian Fricke`s widow.So voila, someday i realized it was a film by German Director Werner Herzog, but not just that, but that the soundtrack was composed by Popol Vuh, so everything has a sense and it`s cool to discover these kind of little details. .Popol Vuh- interview with Florian Fricke`s widow.So voila, someday i realized it was a film by German Director Werner Herzog, but not just that, but that the soundtrack was composed by Popol Vuh, so everything has a sense and it`s cool to discover these kind of little details.. You can follow any responses to this entry through& .This entry was posted on September 24, 2013 at 6:28 pm and is filed under Germany, movies with tags Aguirre, Film, music, Popol Vuh, score, soundtrack, the Wrath of God, werner herzog...Atmospheric pictures of the landscape and sky slow down the pace of the film but remind the audience of the film`s silent movie influences, and the soundtrack featuring Wagner and Popul Vuh aptly conjures fear and& This entry was posted on September 24, 2013 at 6:28 pm and is filed under Germany, movies with tags Aguirre, Film, music, Popol Vuh, score, soundtrack, the Wrath of God, werner herzog...Atmospheric pictures of the landscape and sky slow down the pace of the film but remind the audience of the film`s silent movie influences, and the soundtrack featuring Wagner and Popul Vuh aptly conjures fear and& ..(There`s also a Popol Vuh album on the french Egg-Label called “Nosferatu – On The Way To A Little Way“, which features some of the music that Herzog used in his movie but also collects other material composed by Florian& ...None of the myth makers whose stories appear in the Bible could have read the Popol Vuh with it`s resurrection of Hun-Hunahpu -- but as Joseph Campbell said, when you get down to the deepest well of myth you find a& (There`s also a Popol Vuh album on the french Egg-Label called “Nosferatu – On The Way To A Little Way“, which features some of the music that Herzog used in his movie but also collects other material composed by Florian& ...None of the myth makers whose stories appear in the Bible could have read the Popol Vuh with it`s resurrection of Hun-Hunahpu -- but as Joseph Campbell said, when you get down to the deepest well of myth you find a& ....It was in relative isolation that Fricke stumbled across the sound that would characterize Popol Vuh and prove such a crucial influence to the wider music world in the years that followed – and early on Fricke had the ideal tool in his cumbersome, extraordinarily large four-module Moog synthesizer. Also& ..It was in relative isolation that Fricke stumbled across the sound that would characterize Popol Vuh and prove such a crucial influence to the wider music world in the years that followed – and early on Fricke had the ideal tool in his cumbersome, extraordinarily large four-module Moog synthesizer. Also& .. It is a sloppy editing job, as the most beautiful of the pieces is missing its first few sporadic, slow-paced introductory notes and often the music fades away with conversation from the film. Later, both of us worked on the team for Werner Herzog`s first movie Lebenszeichen in Greece, (with) Florian as sound-assistant, and me as still photographer..herz Tradition has it that most of the actors were hypnotized during the shooting of “Herz aus Glas” kiki bbs
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